FICHE FORMS AT A GLANCE

Four ways fiche can carry information

Form, production method and reduction are different dimensions, so these descriptions are not all mutually exclusive. A sheet count is not a page count, and grids vary by collection.

Original educational illustration of source-document microfiche with a header and document-image grid

Source-document / step-and-repeat

A source document is reduced and placed frame by frame onto a fiche sheet. The header is retained separately from the image grid.

Planning questionDoes the header establish the sheet’s control information?
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Original educational illustration of COM microfiche with dense report frames

COM

Computer-output microfiche records computer-generated reports to fiche. COM is not a bibliographic catalog by definition.

Planning questionWhich report run or existing control marks identify the sequence?
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Original educational illustration of a microfiche jacket with film strips in channels

Jacket

A jacket is a transparent carrier with separate cut strips in channels, not two fiche sealed together.

Planning questionAre the strips stable in their channels, and what identifies each strip?
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Original educational illustration of ultrafiche with a dense microimage grid

Ultrafiche

Ultrafiche is a high-reduction fiche format; it is not defined by card holes.

Planning questionWhat reduction marking or sample frame should be reviewed first?
Read the guide
Illustrations show general form only. Header content, frame position, reduction marking and physical condition are reviewed with the specific material.
FICHE GRID EXPLORER

Same sheet. Different image density.

COLLECTION / SHEET IDENTIFIER — ILLUSTRATIVE
14 columns × 7 rows = 98 frames; legacy 24:1 example. These are historical identification examples, not specifications for every fiche. Actual layout and reduction must be checked.

Read the ratio as a linear scale

At 24:1, an image on film is approximately one twenty-fourth of the source document’s linear dimension. It does not mean a scan should be made at 24 times a normal setting, and it does not reveal whether the original was sharply filmed. When a ratio is printed on the fiche header or documented in collection records, retain it as descriptive metadata.

The Library of Congress groups reductions below 16:1 as low, 16:1–30:1 as normal, 31:1–60:1 as high, 61:1–90:1 as very high, and above 90:1 as ultra-high. These ranges are useful vocabulary for description. They do not decide an output format, OCR result, or retrieval schema on their own.

Connect historic patterns without overgeneralizing

FIPS PUB 54-1 documents several 105 × 148 mm legacy formats. A 24/63 fiche has 63 frames in 9 columns and 7 rows. A 24/98 fiche has 98 frames in 14 columns and 7 rows. These patterns are associated with a named nominal reduction, but the standard also recognizes permissible ranges and different source-document contexts.

The same publication documents 48/270 as 18 columns by 15 rows and 48/420 as 28 columns by 15 rows. The familiar 48/270 layout is often associated with COM, yet a visible grid should still be inspected rather than assigned a type from capacity alone. Nonstandard grids, mixed reductions, and ultrafiche occur in real collections.

Legacy designationGridPlanning note
24/639 columns × 7 rowsNominal 24:1; verify actual header and content
24/9814 columns × 7 rowsNominal 24:1; common document-size context is not universal
48/27018 columns × 15 rowsNominal 48:1; familiar COM pattern, not proof
48/42028 columns × 15 rowsNominal 48:1; dense layout needs actual inspection

Keep ratio separate from digital sampling

FADGI explains that microfilm is digitized at a known PPI relative to the microfilm itself, regardless of original reduction ratio. If the ratio is known, documenting it can help establish original-document size when combined with imaging resolution. If it is unknown and no scale exists, that historical scale may be lost in the digital representation.

Usable fine detail depends on more than a nominal PPI: scanner or camera response, focus, image density, processing, and the quality of the microimage matter. A high number of pixels cannot restore detail that was absent from the film. This is why representative samples are more informative than a universal resolution claim.

Record what can actually be verified

Note the ratio if it appears in a header, target, or credible collection documentation. Pair it with the fiche identifier, physical dimensions, grid, polarity, header text, and condition observations. If the ratio is unknown, write “not marked” instead of estimating it from a frame count or the sheet size alone.

Fictional example — no PII: “Fiche HR-12, 105 × 148 mm, 14 × 7 grid, header notes 24:1, positive polarity, two frames visibly out of focus.” This keeps historical capture information distinct from a proposed digital deliverable.

CLEAR ANSWERS

Common questions

Does a 48:1 fiche need a 48-times-higher scan setting?

No. Reduction describes the original filming scale. Digital capture requirements are set from the film, intended use, and representative testing.

Can I calculate reduction from the number of grid cells?

Not reliably. Historic patterns are useful clues, but actual layouts and source document sizes can differ.

What is ultrafiche?

It is microfiche reduced above 90:1. Its grids and ratios are not standardized, so it benefits from sample-based review.

Sources & further reading

These references explain technical formats, standards or destination requirements. They do not imply endorsement of National Microfilm.